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Cynthia Butare

Cynthia Butare is a Swiss–Rwandan communication professional, creative director, photographer, and founder of Imigani, based in Kigali since 2014. Her practice brings together experiences across photography, creative direction, and four years at the Rwanda Development Board (primarily on Visit Rwanda campaigns), which she has synthesised through Imigani—a platform that operates as both grassroots media and strategic communication service for Rwanda's cultural sector.

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Early Life and Education

Cynthia Butare was born and raised in Geneva, Switzerland, to Rwandan parents. She is the eldest of five siblings, with two brothers and two sisters, and remained in Geneva until the age of 21, completing her early education there.

In 2008, she moved to the United Kingdom, where she would spend the next six years pursuing higher education. After completing an English course at the University of Sheffield, she relocated to Manchester and earned a bachelor's degree in Digital Media and Communications at Manchester Metropolitan University. During her final year in 2012, she produced the documentary KICKIN' IT WITH THE KINKS, which was recognised as Best Final Year Documentary. This project became a turning point, marking her first sustained engagement with documentary film while she also acquired her first DSLR camera, bringing together her interest in story with image-making.

She continued her studies in London, completing a master's degree in Documentary Making at Brunel University between 2013 and 2014. During this period, she produced the documentary Ishimwa: From Bloodshed to Grace (2013). Following the completion of her master's degree, she relocated to Kigali in December 2014 at the age of 27, drawn by a desire to engage more directly with Rwanda's creative landscape.

Career

When Butare relocated to Rwanda in December 2014, the move was initially intended to be temporary. However, as opportunities continued to emerge, she found herself increasingly rooted in the country's creative sector. She began working in mid-2015, joining Illume Creative Studio as an in-house videographer in July 2015. After holding this role for approximately one year, she transitioned to freelance work for three years, taking on projects across visual media and communication.

Between 2019 and 2023, Butare worked as a Communication Analyst at the Rwanda Development Board, contributing to content production for the Visit Rwanda campaign. This included work related to international partnerships with Arsenal F.C., Paris Saint-Germain, and the Basketball Africa League. She was also involved in communication efforts surrounding the launch of the Rwanda Film Office's first call for film projects in September 2022. Working on these high-profile projects gave her insight into how decisions are made around budgets and resources, knowledge that would prove essential in her later work as a creative director. At the same time, the experience strengthened her desire to affirm herself more deliberately within Rwanda's creative sector, not just as a contributor to institutional campaigns but as someone shaping her own vision.

During this period, Butare began pursuing photography more intentionally, shifting her focus towards photographic work beyond commissioned media projects. Rooted in documentary observation, her work focuses on real, unposed moments shaped by time, proximity, and presence. Working with her camera across candid scenes and portraiture, she is drawn to the in-between states where people become comfortable and moments unfold naturally, often after extended familiarity rather than immediate capture. Her practice moves between everyday scenes and one-on-one encounters, reflecting an interest in how people inhabit spaces and situations when the camera fades into the background.

Her first public exhibition came in December 2022, when she participated in What Do You See, a group exhibition curated by Nelson Niyakire and Vivaldi Ngenzi. This marked a turning point in her practice, establishing photography as central to her professional identity.

In December 2023, Butare founded Imigani, bringing together the documentary sensibility developed during her studies, the strategic communication skills honed at the Rwanda Development Board, and her photographic practice. The platform serves a dual purpose: operating as grassroots media documenting Rwanda's creative sector while also offering B2B communication services that translate creative industry insights into strategic campaigns for clients. This structure allows her to draw inspiration from the artists, makers, and cultural practitioners she documents and channel that energy into commercial creative work. Through Imigani, she now operates as a creative director, making the kind of editorial and budgetary decisions she once observed from within institutional structures.

Notable Milestones

  • Best Final Year Documentary for KICKIN' IT WITH THE KINKS, Manchester Metropolitan University, 2012.

  • Best Blog of the Year, BEFFTA Awards, 2013.

  • Ishimwa: From Bloodshed to Grace presented at Bold Stories, Global Africa Business Initiative, United Nations General Assembly, September 2024.

Notable Exhibitions

  • What Do You See (Group exhibition), MINUBUMWE, Kigali, 2022. Presented the series Moulding Hands. Curated by Nelson Niyakire and Vivaldi Ngenzi.

  • Fierce Women (Group exhibition), Galerie Brülhart, Geneva, 2024. Presented the series Resilience in Motion. Curated by Jemima Kakizi.

  • Rien ne se perd, rien ne se crée, tout se transforme (Group exhibition), Meza Malonga, Kigali, 2025. Presented Les lignes du temps. Curated by Nelson Niyakire.

  • Femmes Architectes du Futur (Group exhibition), URUBOHERO programme, Kigali, 2025. Presented seven photographs produced between 2020 and 2024. Curated by Jemima Kakizi.

Published Photography

  • Franchise, issue no. 3 (2017). Photography accompanying an article on Rafi'kidz, a Swiss basketball NGO conducting youth camps in Kigali.

  • Gida Journal, Vol. III (2023). Photography documenting installation artist Cedric Mizero's art residency.

  • The Guardian (2023). Photography documenting artist Michael Makembe's collaboration with rural artists.

  • Le Temps (2025). Photography documenting artist Gaël Faye for the article Le Petit Pays Qui est le Sien, authored by Juliette De Banes Gordonne.

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